KIDOU SENSHI GUNDAM: THE ORIGIN

DESCRIPTION

CAST

MANGA ActionKidou Senshi Gundam: The Origin
ANIME DramaKidou Senshi Gundam
ANIME ActionKidou Senshi Gundam: THE ORIGIN - Zenya Akai Suisei
MOVIE ActionKidou Senshi Gundam I
MANGA ActionGundam EXA

REVIEWS

• 

  CodeBlazeFate

  95/100
  Mobile Suit Gundam: The Origin is an ode to excellence, an art habitually outdoing itself.

  Mobile Suit Gundam: The Origin is an ode to excellence, an art habitually outdoing itself. It is the epitome of what Gundam is and was, and is the type of work only a master can craft. Origin is cinematic brilliance, and one of the finest in modern manga adapting and modern anime storytelling. As such, it is as charming and emotionally evocative as its tentpole franchise has ever been, perpetually asserting itself among the best this decade has to offer in terms of an animated series.

  It would be unwise to herald such a title as absolute perfection; there are blemishes in this magnificent work of art. The questionable overreliance on 3D CGI can be off-putting when non-mechanical objects rendered in such a style look worse than Dozle in a car accident. Additionally, the film series stumbles choppily at first before truly hitting its monumental stride. Some of the ending themes are forgettable and the music takes a while to truly match the scale and magnificence of the series proper. Certain moments regarding character relationships can feel rushed as well. However, in the face of an 18-meter behemoth of passion and glory, these issues the size of a hammer-induced dent. They exist yet mean little; mere bumps and scratches in the left calf of a machine painted, oiled, and buffed with the utmost care.

  The character designs by legendary Gundam veteran and original mangaka Yoshikazu Yasuhiko are absolutely perfect, perfect updates on both the iconic designs of yore and the art redesigns of the manga. The expressions are the liveliest in the entire franchise, striking the perfect balance between character detail and freedom of animation of the models. As for the mechanical designs of the pre-0079 era, they work exquisitely as the prototypes and predecessors of what would become the norm of the One-Year War. The CGI work for these mechs, in particular, is nothing short of commendable, as the clunky experimental designs of the iconic mobile workers -prototypes to the iconic mobile suits- are capitalized on tremendously. The directing of the action sequences -courtesy of franchise veterans Yoshikazu Yasuhiko and Takashi Imanishi- is exquisite, most especially in regards to the iconic Custom Red Zaku II Char pilots. One need look no further than the spectacular opening scene in episode 1 or the battle in episode 6 to know exactly how kinetic and monumental these skirmishes are. The smoke effects work wonderfully as well, particularly in regards to the purple smoke and explosions of Federation ships and student artillery. Dare I say, if the CGI were present in the mechanical models exclusively, this would be Gundam’s visual magnum opus! It already achieves such marks from a directorial standpoint.

  Even more care was taken to make sure that each development of the characters, narrative, and technology, kept the integrity of the original series intact. Char’s vengefulness was built up perfectly and shown to be as innate to his as humanly possible. Seeing him in a position of power is an absolute treat, whether it be him taking down a Guntank single-handedly as a child, or beating up a spy with his fists and a spiked plank. His malicious tendencies also originated from a place that feels both human and sensible, unlike a more direct counterpart in Anakin Skywalker aka Darth Vader and how the Star Wars prequels attempted to do the same. Additionally, witnessing other major characters from the original series in their younger forms was particularly charming. The biggest standouts were Dozle -the lovable oaf- and Ramba Ral, both of whom were particular highlights in Origin. Even witnessing a younger Amuro Ray was wonderful, especially when everyone’s favorite troublesome little mascot, Haro began acting like the lovable goof fans know and love. The characters brand new to Origin held up as well and worked wonderfully in their roles, particularly Ramba’s father and the man who would take care of Char and Sayla in the second episode. Every second spent with these characters is wonderful and full of the type of bittersweet pleasantness you never get in anime, especially when you are familiar with where they end up in 0079.

  The voice acting held up tremendously as well. Keith Silverstein did a marvelous job playing Char’s teenage and adult self, with just the type of calculated, semi-dominant, and slightly spiteful tinge that truly made up Char as a person up until the end of the original 0079. Kirk Thornton was splendid as a slightly younger but ultimately gravely Ramba Ral, and Doug Stone was splendid as his desperate, constantly stressed, and slightly deranged father. The most interesting casting choice was Mike Pollock -best known for his role as Eggman- whose performance as Char and Sayla’s caretaker, Don Teablo Mass. There are a plethora of other cast members who did wonderfully in their roles as well, such as Liam O’Brien, and other well-known VAs such as Lisa Ortiz and Patrick Seitz make great background character voices. Even Hamon’s singing in the penultimate installment -in both languages- especially in the context of the original’s story, is as beautiful as it is soul-crushing. Everything melts into a wonderful English dub, lip-syncing issues aside.

  There’s a sense of love and passion Origin exudes, a marvelous sense of charisma that exemplifies the joys of cinema. It may not be as thematically rich as Thunderbolt, as visually mesmerizing as Char’s Counterattack, or as inviting as Turn A, but in many ways, this exemplifies the best of what Gundam has to offer. Even when displaying a sense of brutality synonymous with Gundam, this love letter to the franchise never stops bringing a sense of whimsy and evoke visceral emotion to the silver and digital screens. You may need to watch other installments to truly appreciate this one, but in doing so, this is your reward: the absolute pinnacle of Gundam!

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• 

  KrenZane

  60/100
  Beginning in the future

  Modern animation for a story almost 40 years old already, and a prequel at that. One can't help but be in awe at the longevity seemingly exhaustless for the Gundam franchise. I get spawning shows casting different characters from different timelines or Sides, or another sort of universe if there are (I wouldn't put it past them) across the years due to the inherent expanse of the series, but revisiting the origins from such a long time ago and amassing more important details so as to increase its breadth is quite simply a power move. A fresh new look for the ancestral narrative, The Origin offers vibrance (at times coming off as comical, thus out-of-place) and clarity for the fleshed-out history of the One-Year War.

  The Principality of Zeon always had that air of intrigue around them solely for the sinister halo encircling the Zabi family. That Char and Sayla both also hail from Zeon adds further substance to that party. Of course, not to forget Ramba Ral and Hamon, too, who were both blessed by elucidation. That is to say, Zeon has been far more interesting than the Earth Federation, and I am glad that they were given special focus here. It is proper as well to approach the prequel like that, for it makes more sense to present the origin of the conflict in the eyes of the antagonistic element, so to speak.

  The Origin made it clearer that even the common people of Side 3 disagrees with the colonizers; there is always a different perspective in conflicts. Succeeding then were the plans of the Zabi family to ascend as rulers utilizing the voices of the masses, winning their hearts with resistance, though not without underlying motives of their own. Tides have stirred and we're made witness to political dramas during sensitive times.

  

  One thing that had me satisfied with this season is the inclusion of "war guilt". As Vice Admiral, Dozle assumes one of the authoritative positions commanding a large population of soldiers. I always thought he had the purest heart among his family of snakes and glory-blind immatures, like the trope of a large brute with a soft heart. Indeed, sentimentality was in him when he was the only one who had shown vulnerability enough to have a family of his own amongst his siblings. As a sort of climax to his character was his guilt after carrying out Gihren's plan, that Side 2 catastrophe which killed half of the population. He showed extreme signs of regret, hesitance, doubt in the humanity of the plan. But right after that breakdown, in the majesty of his kid, he was made to be convinced that war is about protecting families by crushing others, that fault shall not be found in the blood of his hands but in the blood of the fallen. Somehow or another, he had to reconcile with the fact that he was also responsible for the greatest disaster of mankind to date, and his brain distorted his views to block out feelings of guilt by equipping such a mindset.

  See, I am glad for that showcase of guilt. It was something so essential within the Zabi family, for it shows that there is still that common humanity found somewhere from at least one person in that unit, though it did become inevitably spoiled. The theme of how family must be conserved is evocative in Gundam, more so it must be in the Zabi family. To Dozle, this war is to protect his family, thus he abides in the theme in a twisted way. It is quite the same with Zeon's Sovereign; he treats his children with love, especially Garma as the youngest, and laments at the unfolding of Gihren's sullied heart endangering the country with his god-complex-powered whims, Zeon being deemed as Degwin's family himself too. Kycilia, well, she's still enigmatic to me. Though she's in cahoots with Gihren in many schemes, and presumably instigated the murder of Sasro their brother, she deemed it the pits of despicableness that Gihren had no care for the life of their father, moving her to kill her eldest brother in Season 1. Lastly, Garma, well he wants to be validated as a child of nobility, taking tunnel-vision means outside morality to childishly preserve his family's honor.

  Outside the Zabis, there is natural love for one's family in the likes of the Deikuns. It extends to found affectations for Teabolo, the Aznables, and even one's own pet. The relationship of Amuro and Tem, too, was given emphasis as one sort of rough in quality time. There is warmth, then there is loss, opting Sayla to eventually realize that Zeon and the Earth Federation are madmen no different from one another. Everyone is taking away something important to them.

  On the topic of the Deikuns I should finally talk about Char, who is actually not Char because Char was only someone else that looks like him. Casval Rem Deikun, Edouard Mass, Char Aznable--many identities for a standout character.

  I want to highlight his character arc as a soldier of Zeon. It makes Char more mysterious when we aren't granted access to his inner thoughts in his interactions with the Zabi family, specifically Dozle and Garma (and for that matter I don't think the creators ever showed what was going on inside his mind explicitly). Especially during the times he was close with Garma, there were snippets radiating suspense, the tension felt by the viewers unaware for the prey. Such direction heightens intrigue on the true motivations of Casval. What did he feel being under the command of Dozle, being praised as the hero of Zeon? His countenance showed no sign at all of the deep-seated hatred he must have on his family. Instead, he was obedient, no fang bared.

  

  About that, I just had some misgivings when as young Casval he declared to Kycilia that he'll make the Zabis bow down to him, but he himself was absent in the deaths of Degwin, Gihren, and Dozle. He seemed less of a vengeful spirit because of that. Well, though he offed Kycilia and Garma in one way or another through his involvement, "letting them bow down" is different from taking their lives, for the former preserves the objects' existences only for the sake of subjugation. I guess I'll need to watch Zeta and the following UC seasons first to truly understand his actions. I guess Newtypes really are first and foremost for him.

  Some other things I want to write out just in bullets.

  • I mentioned earlier that sometimes the anime was comical, making it out-of-place. The attitude of character movement seemed out of a slice-of-life comedy which made victim even lieutenants of the army. I'm just more used to the army being rigid that this fluidity unnerved me to the end. We have high-ranking officials acting like caricatures, and the majority of others following suit in almost cartoony fashion. I don't know, I just couldn't get used to this in Gundam. It's like it didn't take itself seriously. The vibrance permeates throughout, which I'm glad of as it makes it an easier watch--I mean everything is lively and expressive in times of joy and grief, making it a more emotional show giving a breath of fresh air to the dreariness of Season 1, and adding grandiosity to the likes of Gihren sells him out surely, but still I can't justify for the team need of its affixing to the general cast.

  • Another gripe from a passing thought: why does the EFSF not have a Char, or someone similar to him? I get that he's a prodigious Newtype, and we have Amuro, sure, but really they have no other notable pilots. Zeon has the Tri-Black Star at the very least. Earth has Amuro of course, then I guess Hayato, Kai, and Sayla? Maybe they should count. Tianem and Revil aren't pilots, so I'm excluding them. That is to say, names are more glorified on the other side. The sheer number of the EFSF must harbor some big names. Eh, it doesn't really matter.

  These don’t really take away a lot of my enjoyment, just a bugging discomfort.

  • There is much implication of spirituality in the series. Deikun was spouting a lot of arcane things in his first appearance, and he really is treated as if he had a divine possession. He mentioned Gaia, which is a primordial god in mythology. There is Gihren and his god complex. There is Degwin mentioning Cain and Abel. There is Char saying that the second act of the war after Revil intervened in the Antarctic peace talks is one without God. Newtypes have a very transcendental hue to them. I'm interested in what they have in store for this.

  

  • Sayla's consecutive losses was just sad. She's such a strong girl, more than she is given credit for.

  And I guess that's it.

  Mobile Suit Gundam: The Origin fulfilled its duties decently. There were no plotholes I have noticed--the team truly was meticulous in seamlessly threading together the narrative despite the large gulf between the years. Due respect was given indeed. I had fun with this, it is always a joy knowing how the story unfolded in reverse chronology. I got answers, the civilians were given focus, and still some questions, though they serve as magnetic entities luring me to the next phases of my watch experience.

  
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