KANOJO MO KANOJO

DESCRIPTION

CAST

CHAPTERS

MANGA ComedySeiseidoudou Futamata Suru Hanashi
ANIME ComedyKanojo mo Kanojo
ANIME ComedyKanojo mo Kanojo Season 2
MANGA ComedyKanojo mo Kanojo Kanketsu Kinen Doujinshi

REVIEWS

• 

  SpikeWasAlreadyTaken

  64/100
  "I want to two-time you with your permission!" A surprisingly funny, borderline parody harem romcom

  Contains minor spoilers.
  Disclaimer- I rate manga relative to others, so 50 is average, 60 is a little above average, etc. My score does not mean that this is a bad manga. It is, in fact, quite a fun read.

  I've got to admit, I'm not too huge on shonen romcoms. Some of them are good, sure, but a lot of them fall into the same old tropes, use similar jokes, and/or have bland characters. I started Girlfriend, Girlfriend expecting the same kind of generic romcom that's so prevalent in Weekly Shonen Magazine. I wasn't entirely wrong, but Girlfriend, Girlfriend has a few things going for it that made it fun- likeable characters (for the most part), a stupid premise that gets played seriously, and, above all else, a sense of humor based around making fun of itself and harem romcoms to the point where it may as well be parody. At least, I think it's making fun of itself, could entirely be lazy use of tropes played so seriously as to look like parody. Hard to tell. Either way, it's great.

  Girlfriend, Girlfriend is the story of Mukai Naoya, a dude who asked a girl (Saki Saki) out repeatedly until she finally accepted. Apparently it's a pretty good relationship and they both like each other a helluva lot.
  Do not try this at home, ladies and gentlemen. This is how you get slapped with a restraining order.
  Anyways, the relationship is great, yippee, until one day Naoya is confessed to by another girl, Minase Nagisa, who has apparently dedicated a significant chunk of her life to making herself into an ideal girlfriend for Naoya.
  Again, don't try this at home. You are not living my the laws of manga. This is how you get slapped with a collapse from exhaustion. Also, it's borderline psychopathic.
  Naoya, being a stalwart and devoted partner, doesn't want to cheat on or ditch Saki Saki. Naoya, being a horny teenaged dude with a bleeding heart, also doesn't want to reject Nagisa. Naoya, being an absolute genius by harem romcom standards, comes to the obvious correct conclusion, and asks Saki Saki for permission to openly two-time her.
  I will not attempt to advise you on that one.
  The story is a pretty standard romcom from there, just kind of meandering through the main characters' lives, but, to its credit, it's so blatant and in-your-face crazy that it's funny. Naoya is a valiant blockhead, sort of a mix between a stooge, your kind and helpful neighborhood kid, and that dumb dude in every B-list romance flick that has the social awareness of a goat's toenail. Saki Saki and Nagisa, while marginally less dumb, create a comedy trio that's like straightman humor if the performers were all so dumb they couldn't remember if they were the funnyman or the straightman and wind up switching roles constantly. It winds up being genuinely funny and often taking romcom tropes and playing them like a comedy act. It's pretty impressive semi-parody, in all honesty. Also, there's not fanservice up the wazoo. Might be an upside to you, might be a downside.

  When it comes to harem romcoms, they kind of need likeable characters. Suffice it to say Girlfriend x 2 has dumb enough characters that they're endearing. Naoya's brand of socially unaware honesty is pretty good, and the fact that the other characters are idiots as well really helps make the comedy side of things funny. Saki Saki and Nagisa are decent, and they've got a genuinely sweet relationship with Naoya, which is nice since the series could've easily gone for NTR. Decent characters, overall.
  Except one, who ruins nearly every scene she's in with starting stupid arguments, stalkerish tendencies, and just generally being annoying. I'm sure she has fans, but for me the manga would have been better if it had approached her characterization in pretty much any other possible way. Honestly, I'm quite hoping the author will commit to getting rid of her. Yes, the manga is about two-timing, but an utter annoyance that pretty much butts into every damn thing in the happy little two-timing triangle by force is just dumb. Why not three-time if it's such a problem? Well, because she'd rather try and get Naoya to break up with his two happy relationships to commit to a stalker with less brain cells than Naoya has girlfriends. She needs to chill even more than the rest of them do, and that's saying quite a bit, since, being romcom characters, they have all of the chill of a hamster on LSD.
  EDIT now that series ended: She didn't get kicked to the curb and now I'm annoyed. All the series they had zero chemistry but omigod all of a sudden Naoya just loves effort (boobs) and gives in. All crammed into a mini-arc that the other girls' endings got shafted for.

  As befits a romcom, most chapters are just random bits of the characters' lives, with visual gags and stupid jokes. Thankfully, Girlfriend, Girlfriend, either cleverly or through sheer lack of creativity, decides to eschew making particularly unique stories and instead has dumb romcom tropes played completely straightfaced. Constantly. It does do a good job, to be fair, but at points I feel like I've read the story a dozen times before. Still, it's either genius parody or so horrifically unoriginal that it looks like parody, but either way, it's fun. It's hilariously dumb. It's worth a read.

  Yep. Definitely worth the read. I'd imagine a lot of people will hate it, but for me at least, it's a truly stupid fun series. Well written, touching, a great story? Not especially. Still, the important thing is that it's entertaining, and it's hilariously stupid enough to be just that. As far as harem romcoms go, this is a standout.

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• 

  Ionliosite2

  30/100
  Kanojo mo Kanojo is too dumb for its own good

  Kanojo mo Kanojo is another of those romcoms whose main focus is the comedy and every character is a single joke and none of them are funny. But this series is intended to be stupid, right? Well, yes, but the jokes are still terrible, and it’s not like I can’t enjoy some dumb comedies, but every time I got to the punchline of a joke in this series I honestly wasn’t impressed, nor I was laughing at how bad the joke was, it was a joke that wasn’t even funny because of how bad it was, sometimes I could hear the characters scream, maybe because I picked the manga time after watching the anime so I already knew how they would say their lines, but these characters are really loud. The show goes about how this bunch of characters are stupid and how much stupid they can get, that is their character growth.

  I mean, when you have an MC like Naoya who is an idiot who won’t shut up nor stop saying anything no matter how dumb it is because he is so focused in doing anything that is going in his mind, it’s difficult to not find the MC annoying. Across the manga, he easily is the one that growths less, because his dumbness is what gets him through absolutely everything, well, that isn’t exactly true because to surpass one of his obstacles he spent a lot of time studying, but he didn’t get smarter with his decisions either way, he is straightforwardness itself. I mean, Naoya is definitely someone who will leave you something to think about him if you pay enough attention to the series, you will either admire his boldness, straightforwardness and his way of not thinking through anything, or you will dislike him exactly for those reasons, because he is just so dumb you can only stand him for so much. I mean, just take a look at how the series began, this guy apparently was asking the girl he has liked a bunch of times to be his girlfriend and eventually she accepts, we start at that point, then suddenly a second girl comes out of nowhere, tells him that she wants to be his girlfriend and what’s his best idea? To go to his girlfriend and ask her if he can date her too, he gets rightfully punched in the face for that but because of peer pressure Saki accepts.

  Now, harems usually aren’t the best place to find a realistic way for someone to fall in love with others, and I’m conscious of that, but in other series they had this bare minimum of “he helped her in a time of need”, which you can just go and credit the suspension bridge experiment or some shit that will make you feel there is a justification, but in fact, these girls literally fall in love with him because the guy fell too strongly for another girl, that is literally the case with both Nagisa and Shino. And I mean, telling you Nagisa is interesting in any possible way you look at her is pretty much wrong, she is the first one to be introduced and is completely devoted to Naoya since the first moment, she is there to be quite perfect in what she does except in having a brain, she goes from this girl that doesn’t know what she wants to do to a girl who wants to cook, and I just summarized her whole character across the entire manga, I don’t dislike simple characters, but the fact I can barely talk about her despite being the actual reason why the plot existed in the first place comes out as a little sad.

  Shino is the only one who appears to have a brain, until she is in the same screen as Naoya and falls in some dumb way for fanservice, she is the only girl who gets this treatment and I honestly don’t know why, I’m not even bothered by the fanservice that comes from the dumb falls every harem or ecchi series has, but she is really the only one that gets this treatment. Aside from that, as I said above, she also fell in love with Naoya because he fell in love way too hard for Saki and his determination to be her boyfriend. It’s not difficult to see why people love her, because she is the shy girl that opens up, she is the girl that everybody seems to like in series of this type. She really starts restricting her love for Naoya because she doesn’t want to hurt her friend Saki, but she keeps getting involved more and more with them to the point she cannot take it anymore, and also confesses to Naoya. She goes all the way supporting him even more after feeling free of saying her feelings, even if she wasn’t her girlfriend.

  Saki, whose nickname is also Saki, way too creative I know, is a girl who lacks self-love, and that is the best way for her to accept the relationship because she also gets overwhelmed by the peer pressure she is subject of, she really cannot get around that in any single way. And I know, we need her to accept other girls for the harem and she actually gets to like Nagisa in a way, but she really only accepted her because her boyfriend has his head way up into his own ass alongside Nagisa’s pleads. This girl seriously needs to think by herself, she is seriously overwhelmed by the most minimal petitions if many people tell her to do it, she never overcomes this, which makes sense because she never gets time to work on it as people keep pushing it into her. I honestly feel a little bad for her for this reason, but I guess that stuff usually happens.

  And I left Mirika left for a specific reason that I will get to in the next paragraph, without a doubt I’ll say she was my favourite, but definitely not from the start. The why is very easy to see, because she has a reason to be with Naoya that’s not as dumb as the other: because she already wanted to be his girlfriend. That’s it. She did it on a whim, and that honestly made me think of her as bad as the others, however as time passed, I was getting more endeared to her. I mean, isn’t this girl a bad person? She literally kidnapped the MC 2 times and drugged him once, this girl is crazy, but aside from that stuff, I noticed that whenever she went on a date with Naoya, it seemed like the moments were a bit less comical, in fact, those were maybe the only dates I could take seriously even before getting a fondness towards her. And at this point, I’m overselling her to you, because she is as dumb as the other characters too and has as much self-love as what you would expect from a girl in a harem series, but here’s the catch, after she actually fell in love with Naoya for actual reasons, she wanted to monopolize him, she wanted Naoya for herself, which is natural even in this kind of series, but when your competition are these other girls, then maybe being of a regular kind isn’t that bad.

  Up to this point I haven’t said anything good about this series, because I really don’t think this series was something good, not even over 100 chapters in. But actually, the series proved me wrong in some way, chapter 124 appeared and it was completely focused on why a harem doesn’t fucking work if it is made completely out of love, because you won’t be able to love everyone equally, people will get their feeling hurt because they know that sometimes they won’t be the preferred one, this whole speech made by Mirika is honestly what makes me think these over 100 chapters of absolutely nothing but bad jokes happening was worth something. This was finally a completely genuine, competent, non-idiotic, factual dialogue that made perfect sense and said why most harem series are dumb no matter if you enjoy them or not, because what Mirika said in there was true, and I honestly wasn’t expecting this from this manga of all things. There are other harem series that I like more that don’t have this kind of speech which actually makes sense out of why harem endings are not the norm. And this whole thing came when Saki actually decided to break up the two-timing specifically because she feels bad for it because she sees Naoya loving another girl the same way as her and it hurts her. And let me tell you again, I’m overselling you this, after that chapter the manga didn’t become good, it just became readable in some way I could at the very least pay attention and engage with this, the only thing I can wonder is why did it take over 100 chapters for something that I genuinely enjoyed to happen? I honestly don’t know, but if I had dropped this earlier as I had considered, I wouldn’t have the appreciation, even if only minimal, that I have for this series now, because this was the best dialogue scene in the entire series.

  Of course, after this comes the conclusion, which is Saki accepting that Naoya is a shithead that won’t rest until he gets his harem ending, which is in character for him, Nagisa supporting him no matter what because it is in character for her, Shino wanting to be there too because it is in character for her, and Saki accepting by getting overwhelmed by peer pressure because it is in character for her. This whole mess was actually solved in the same way the manga has been going, but I was in fact paying it some kind of actual attention. Of course, the whole thing of Mirika getting rejected goes as well as you would expect, after all, the whole manga was created under the premise of “what if I write a story where everyone wins?”, and so after some chapters of drama with Mirika, she also accepts being part of the harem, which feels forced as that is against her whole character across the manga.

  What? Knowing the harem ending isn’t some kind of thing that ruins the story, it is the whole premise that the manga was going about, even said by the author Hiroyuki himself long time ago. Something to note is that in the last chapter, Naoya explains why he is the way he is, why he fell in love with Saki so much, they have a nice little conversation, and I can just wonder why it took so long, it makes me feel as if I could have liked this series if it wasn’t dumb shit after dumb shit again and again and again and again.

  Maybe I’m not fond of the comedy in any way, I can’t promise one day I will open up to the comedy featured in most anime series which I just think is terrible, because comedy has always been a big problem for me in general, so I cannot say this was good in any actual way even if those two dialogues save it from being abysmal.

  Thank you for reading.

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• 

  Judhill

  90/100
  Mystifying in its crudeness, impeccable in its surreal vigor, and outrageous in its characterization

  Make no mistake—Kanojo mo Kanojo is a series that’ll deter one’s amount of brain cells the more he or she consumes content of it (be it the series itself, a shitpost, or even a review). I suppose that it’s simply inevitable that any critical thought on the series would state a fair amount of flaws. Really, it’s a dumpster fire. However, it is also a series that is not meant to be consumed seriously overall. Thus, even if not constructive, I shall spout “fire” about Kanojo mo Kanojo, as it is a manga that I adore to the core.

  Kanojo mo Kanojo is quite the eccentric series thematically; its characters are schizophrenic—especially the main girls—and the many ridiculously immense stupid happenings within the plot blow quite the whiplash. This only accumulates as the manga progresses; most of the time such is executed comically, but sometimes it’s also done in a slightly much more serious tone in (obviously) more significant scenes that could alter the story’s trajectory. I don’t exactly consider this as a bad aspect of Kanojo mo Kanojo, as I wouldn’t even assess it seriously in its entirety, since I think it's much more proficient in it’s comedy than it’s drama, though such is a trait I often expect whenever consuming a comedy or harem anime or manga. Anyhow, in turn, you’ll either love or hate (most likely individually) the characters.

  Each one of the characters in this series acts in varying degrees of impulsivity, the most tantamount to the summits of such being the main character, Naoya, whose defining trait is that he’s insanely straightforward and, as stated by his first girlfriend SakiSaki, someone who “somehow always gets what he wants.” He’s also the character who yells the most, which I suppose could cause a bundle of readers to tune out or even loathe his character. But, surprisingly (not!), every other character in this series is just as brain dead as Sir Straightforward, and they all worsen in intelligence as the series progresses. As I wrote a paragraph ago, the most schizophrenic elements are found in the main girls: SakiSaki’s temper and ambiguousness, Nagisa’s tenderness and consideration, Mirika’s fiery determination, and Shino’s (Kino’s) shrewdness all amalgamate to tropey brain damage—only that this time it exceeds in such. Yet, Kanojo mo Kanojo endlessly entertains me with its absurdity founded in its inability to hardly take itself seriously. The characters are so immensely hysterical in most of what they do that it’s hard to ever catch any substance of rationality. It’s a sense of the cast’s chemistry that utterly engages me, and it continuously drives its momentum to sheer entertainment, resulting in nothing but my succumb to it.

  The humor in Kanojo mo Kanojo never disappoints in consistency. It mainly constitutes overboard surreal, slapstick comedy (who would’ve guessed that it had such a unique comedic structure, huh) that heavily exaggerates itself. Comedy (in this case being surreal) is a highly subjective genre, and slapstick is quite hit-or-miss. A great handful of the comedy in Kanojo mo Kanojo consists of the characters’ degeneracy as they slowly lose any faint sound thought throughout their spiral of adapting or opposing to the polygamous relationship instigated by Sir Straightforward. A character’s intrinsic nature engulfs their sanity, and then they proceed to follow just that, causing the many antics the reader will experience and possibly be amused or dismayed by. Frankly, I’m of the former. It’s pure delirium, regardless of however formulaic, that continuously bewilders me each panel. Even if a scene doesn’t exactly make me laugh, I’d be lying if I ever said I was never stimulated by it. It’s genuinely nonsensical and electrifying in that sense, and I’d gladly take it.

  To amplify such lunacy, Hiroyuki (the mangaka) incorporates a fair amount of simplistic dynamic effects (e.g., “speed lines'' most noticeable whenever SakiSaki punches Naoya) to evoke the sheer momentum within the most comical scenes in the story, while soft additions (e.g., "love bubbles" in romantic scenes) are employed in delicate scenes so as to illustrate a character’s warmth. All of this is standard practice in manga technicalities, but Hiroyuki utilizes such at just the right number of doses when most relevant or appropriate. I also think that Hiroyuki showcases his best character designs in Kanojo mo Kanojo, as each one of them sufficiently expresses the defining qualities of the character. Sometimes the background of Kanojo mo Kanojo, especially in the two-page spreads, arouse jarring juxtapositions between it and the scene’s subjects, though such isn’t executed so horrendously that it would make me dislike it. I actually like it and find it endearing. The art of Kanojo mo Kanojo isn’t anything fresh or the like, but it is outstanding in what it attempts to achieve, and such is perfectly suitable for its narrative.

  Moreover, lying under the multi-layered comedic structure is the series’ baffling tackling of polygamy. While Naoya simply wishes to sustain a satisfying polygamous relationship with his girlfriends, the rest of his harem feel conflicted in various ways. Such an unorthodox concept in romance fiction isn’t addressed the best here, noticeable as the characters’ approach to such is hardly constant nor concrete. However, something I think it tackles adequately is the character dynamics, often questioning how each one of them feels about their relationships with others. The author understands that this varies between each character and often uses it within the plot. Romance is a topic that simply isn’t exclusive to a single variety. It’s diverse, and, despite it being comically displayed here, can concoct a delightful narrative. The absurdities within the spectrum of infatuation and love conceived aflutter in each one of their arbitrary minds, so fragile yet firm, so instantaneous yet gradual, so ambivalent yet acute.

  Nonetheless, Kanojo mo Kanojo seems oblivious in one or two aspects, but I, at the very least, enjoyed reading it. One could perhaps say that I’m simply overshadowing a value over another, but Kanojo mo Kanojo is a story that I believe hardly offers anything notably valuable thematically. Rather, its greatest strength is its direction for amusement. If even something substandard can unironically pleasure, whether guiltily or not, its consumer, it at least deserves commendation for such. Thus, once again, I indulge myself in escapism, and I find it charming. Schizo Kino Kiryuu/10.

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