砂ぼうず

SUNABOUZU

ANIME

STATUS
COMPLETE
EPISODES
24
RELEASE
March 30, 2005
LENGTH
24 min

DESCRIPTION

The Great Kanto Desert is a miserable place. It’s also the home of hero-for-hire Desert Punk, the closest thing to a good guy the wasteland’s got. He’s known as the best man for any job, but his reputation is undone by his raging hormones when curvy Junko uses her double-D charms to double-cross him. With debt hanging over his head, Desert Punk sets out to salvage his name.

(Source: Crunchyroll)

CAST

Kanta Mizuno
Chihiro Suzuki
Taiko Koizumi
Chiwa Saitou
Junko Asagiri
Tomoko Kotani
Narrator
Tamio Ooki
Amagumo
Norio Wakamoto
Natsuko Kawaguchi
Yuuko Minaguchi
Mariko
Hitomi Nabatame
Mitsuru Koidemizu
Shigeru Mogi
Haruo Kawaguchi
Yasuhiro Takato
Akio Kawaguchi
Otoya Kawano
Makoto Kawazu
Hiroshi Kamiya
Mugenya
Ikkei Seta
Tamehiko Kawano
Youichi Masukawa
Stryker
Takahiro Imamura
Kaoru Kaizuka
Tamio Ooki
Fuyuo Kawaguchi
Jirou Saitou

EPISODES

Dubbed

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REVIEWS

ChillLaChill
90/100
A mature show with an irreverent edge
Desert Punk is a show I genuinely love for its unique charm and eccentricity. It stands out among anime for its quirky appeal and offbeat humor. Despite many dismissing it as bad, there's something undeniably captivating about it that makes it special to me.

Set in a post-apocalyptic Japan, the series unfolds in a desolate wasteland of sand and rock after a nuclear disaster. The protagonist, Kanta Mizuno, aka "Desert Punk," is a mercenary driven by money and, let’s just say, certain other motivations. While the show does include fanservice, it’s not overtly gratuitous. Instead, it’s used as a comedic element that enhances the humor rather than overwhelming the narrative. The mature themes are tempered with humor, making Kanta’s unpredictable antics a continuous source of amusement. The show’s sporadic comedy is well-executed, ensuring you’ll find yourself laughing out loud.

The first half of Desert Punk is an absolute joyride, filled with moments that will have you grinning from ear to ear. The episodic structure blends seamlessly with the comedy, making it hard to look away. However, the show takes a dramatic turn in the latter half. The fun opening theme transitions to a more subdued, melodramatic tone, catching you off guard. While the latter episodes remain enjoyable, the shift could have benefited from a few more episodes to fully explore its new direction. Despite some visual shortcomings, the exaggerated moments—whether in action scenes or Kanta’s antics with Junko—compensate for the lack of polish. The live-action opening is a delightful bonus that adds to the show’s appeal.

The character dynamics are a highlight, with no character truly grating on my nerves. Kanta feels like a sadistic, greedier take on the protagonist from Golden Boy, mixed with elements of Vash the Stampede from Trigun. Junko is reminiscent of Fujiko Mine from Lupin III, albeit with exaggerated features, and Kosuna serves as a lovable semi-moe sidekick. Even rivals like Rain Spider add depth to the mix. The tonal shift and character changes midway through might be jarring, but they don’t diminish the overall fun.

While Desert Punk may not be perfect, it remains genuinely entertaining. Some might find it tiresome over time, but I disagree. The show’s comedy, with its Westernized flair, is hard to resist. Where else will you see Desert Punk and Rain Spider waste all their ammo, only to settle their duel with elastic rubber bands? It’s moments like these that make the show a blast, even with its darker turns. If you’re looking for something fun and different, Desert Punk is definitely worth your time.
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