マウス

MOUSE

TV_SHORT

STATUS
COMPLETE
EPISODES
12
RELEASE
March 26, 2003
LENGTH
14 min

DESCRIPTION

Teacher Sorata Muon carries on his family's centuries-old old tradition of being the master thief Mouse who can steal anything after properly alerting authorities of his intentions so they can be there yet fail to stop him. He is assistedby 3 nubile female assistants who also use the teaching cover and who, in typical Satoru Akahori, favor tight/skimpy/bondage outfits over their ample curves as they constantly pursue Sorata much more than he pursues them, although the girls do get some attention from their master. Not only is Mouse pursued by the girls & the local law enforcement authorities, there is also a secret art protection society employing the services of a former ally of Sorata's after his pretty little hide, all in 15 minute episodes.

(Source: Anime News Network)

CAST

Hazuki Kakio
Mai Nakahara
Mei Momozono
Kikuko Inoue
Yayoi Kuribayashi
Yukari Fukui
Sorata Muon
Kappei Yamaguchi
Machiko Tsukioka
Tomo Saeki
Heitaro Onizuka
Takashi Nagasako
Uta Yukino
Asami Sanada
Masatoshi Minami
Yuusei Oda
Fon
Harumi Asai
Samarsa Morishima
Haruko Momoi
One
Takashi Matsuyama
Fuyuharu Momozono
Masaru Ikeda

EPISODES

Dubbed

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Not available on crunchyroll

RELATED TO MOUSE

MANGA ActionMouse

REVIEWS

ctoafn
40/100
And you may ask yourself, “Well, how did I get here?”
And you may ask yourself, “Well, how did I get here?”

Letting the days go, in the pursuit of genuine slop came a little series of TV shorts called Mouse. Yes, what are the dredges of a medium without its extreme sexual qualities dripping with derivativeness from every gaping orifice? Quite a lot of things most likely, but don’t think about that.

So what is Mouse anyways? Well, simply put, it’s a parody of Lupin III that dials up the lechery to eleven in what can only be surmised as what normal human people would think most anime was back before you could see advertisements for My Hero Academia in Times Square. That is to say: boobs and butts and ninjas oh my.

In a bout as another gentleman thief, Mouse is a man that can steal anything. He’ll steal an entire building for a single referential artifact and give the meuble back the next day without ever getting caught. With him are his three servant bimbos but not really here to case the joints before smoking them with him in the next big heist. Hounded by some persistent police, Mouse lives his daily life as Sorata Muon. A timid high school art teacher, he must pretend that the three other teachers always making a show of their anger towards him are just bullshitting and really want to leg lock him so hard they snap his spine.

In short, it’s a standard sort of harem ecchi affair.

Starting off with the story: that’s it. It really doesn’t matter and both of us know it. C’mon, they’re TV shorts focused more on knocking around these women’s wobblers more than anything else. In fact, the gelatinous unnaturals of these titular freaks bounce and wiggle around so much in such a way that it reaches an event horizon of hypersexuality that reverts it back to just not even really that hot.

It’s not even a thing with the titty duo and their posteriorly inclined greenoid (an ass focus frankly being welcome in this mammary monopoly). There’ll often be low angle shots of random women to show off their panties from the front AND behind that just adds to the stack overflow of flesh. Of course, this isn’t to say the art is completely unappealing.

Beyond all that, I know I said it didn’t matter, but it really is just a weird slur of Lupin III. Going through the motions, it has the preemptive declarations to a faulty yet determined authority set to a theme of women calling his name. Mouse Chu Mouse! Hell, it even has the running shot from Lupin’s opening.

Besides this are a collection of pretty self-contained romps through various not too interesting heists with the occasional foray into more creative scenarios such as a descent into the digital as ghosts in the machine a la Scooby-Doo and the Cyber Chase and other such twists on the usual formula.

Even so, its overall non-commitment to its own sequences beyond an adherence to Girls! Girls! Girls! makes for an obviously shallow series of events that fail to make an impression at the end of the day.

Now, I’m a boiling red-blooded freak and understand that the hangers of a beautiful woman are, in fact, quite nice! Unfortunately, I’m also a green-blooded freak that enjoys the look of any animation despite its faults. Despite my persistence in saying that Gundam Seed looks like shit every time I mention it, I love the way digipaint in all regards. The painted backgrounds contrasting the horribly bright colors of the cells, color outlines, the opposite of neon nightmares in the form of the seventh generation shit filter, paint making people into gross looking blobs, I love it. That’s why, I cannot attest to the quality or lack thereof in this department. It’s below average, it’s kinda bad for the time, and Gundam Seed looks like shit.

Oh but what is art without the subject? Mouse’s characters, as you’ve probably guessed, are nothing special. Sorata Muon is just a standard harem protagonist in his timidness despite his constant exposure to the bodies of his female servants. Just the same, these entities whose only purpose is to carry out his plans while everlong trying to become his beautiful human submarines are harem heroines.

They want him so bad and he wants none of that, what an incredible mix-up. Oh my god, there’s a high school student of his that really wants him too for some! Real Pulitzer shit. When the writer of this dies, there’ll be someone there to leave flowers on his grave every year like Edgar Allen Poe. You get the picture, it’s sludge.

Besides all that, there’s music which is fine along with similarly fine performances. Nothing stands out too much in its production in any extreme, really, so it’s to be expected. After all, these are TV shorts.

Really, what point is there in looking at something like this to such a degree? Genuinely, there is absolutely no worth in taking in any of this beyond ostensibly jacking off your mind. Its quality, its portrayal of the fairer sex, everything else that somehow isn’t related to those two things, it is what it is. You know it, I know it, the people who made the thing knew it.

So into the blue again, into the silent void, under the rocks and stones, there are breasts underground.
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