ONE PUNCH MAN 2

DESCRIPTION

CAST

ANIME ActionOne Punch Man
MANGA ActionOne Punch-Man
OVA ActionOne Punch Man 2 OVA
Not Available ActionOne Punch Man 3

REVIEWS

• 

  CodeBlazeFate

  34/100
  OPM 2 is a casualty of the industry we’re encouraged to support, and the worst part is people are ok with this.

  Mild Spoilers for One Punch Man Second Season

  The second season of One Punch Man is a miserable fall from grace, with a quadruple whammy of circumstances contextualizing the gravity of the show’s failures. It’s a sequel to one of the most well-animated mainstream anime of all time, released over 3 years later. On top of that, this franchise’s counterpart, Mob Psycho 100, got adapted for a second season that practically pushed the boundaries of current TV anime 3 months before this season came out. Combined with the awful feel and presentation of this new season, that set of circumstances becomes the world’s nastiest measuring stick. Sadly, the inability to live up to any decent set of expectations isn’t unexpected when you look at all the writing on the wall. The stiff and barely animated trailers, the off artwork, and the fact that production switched over to J.C. Staff all should have told you this was doomed to fail. The worst part is I can’t even blame the people involved, as they simply didn’t have the time, physical capacity, or resources to pull together an acceptable product. It’s a cruel joke, and a herculean task for director Chikara Sakurai and team to be burdened with.

  This isn’t to say that that this season would have been great if Madhouse or the original team took over. Boogiepop 2019 was animated by the same team and studio as One Punch Man Season 1 and it didn’t look that good. It was plagued with terrible artwork and redesigns, and a sheer lack of the atmosphere that both its source material and the 2000 anime bathed in, thanks to the removal of the rustic color palette for a generic one. Madhouse also animated the Overlord anime trilogy, which is littered with repulsive CGI and artwork that I’m not a fan of. The two shows they produced this season are a powerpoint presentation baseball anime and a show no one likes that apparently also suffers from hideous CGI, so it’s safe to say there’s no way they’d fix this on a visual level. Maybe the color palette wouldn’t be so unpleasant but that’s about it. Hell, I’m not even sure that studio could fix how drab this season feels, since everything feels so floaty, awkward, and self-serious. The jokes, the excessive monologuing, the terrible attempts at emotional beats, and the mind-shattering attempts at retroactively downplaying the threat of the first season’s climax are all downright surreal.

  When it comes to the jokes, there’s none of the exaggeration or punchy energy to them that was present in season 1, and the lack of comedic facial expressions only adds to how limp and awkward the delivery is this season. The deadpan humor is also weakened by the stumbling, borderline lifeless presentation. I can honestly count on one hand the number of times I even chuckled in any given episode, barring maybe episode 3. On top of that, despite Saitama still one-punching overconfident bad guys in this season --i.e the main gimmick/punchline of the first season-- we don’t get to see him OHKO anyone on-screen even once until the finale. Perhaps they thought saving it up for a grand climax was a good idea, but all things considered, it’s just not worth it.

  Getting back to the other issues at hand, one of the strangest criticisms I’ve ever had to lay out is that moments that seem to have happened simultaneously like the encounter between Genos and Speed-o’-Sound Sonic and the encounter between Saitama and Fubuki in episode 2 turn out to not happen simultaneously. This isn’t the first time that time becomes a liability in the show but detailing the other instance in the second half would get into some head scratching spoilers. Another strange issue is how some episodes just end abruptly, as if they had no idea where and how to stop an episode. For a more traditional complaint, the pacing in this show is abysmal. Once the main arc of the season kicks in around episode 3, the pacing slows down to a crawl for several episodes before blitzing through everything in episode 7. The weirdest part about this is how apparently this adaptation has been burning through chapters like Sonic speeds through stages, making the sense of fatigue and whiplash all the more dizzying. No matter what, things just happen with no time to really establish anything or allow the audience to breathe and let things sink in. This, along with lifeless direction and lackluster character writing, makes it so there’s almost never any weight or impact to the big and intense moments that permeate the bulk of the season, adding to the vicious cycle of everything and nothing happening as events simply cycle through one another for no apparent reason. It’s issues like this that remind me why even in season 1, OPM was never good at being a serious narrative, let alone shuffling between parody and serious shounen.

  That said, the overarching narrative of this season isn’t necessarily bad on its own. In theory, showing how the hero organization is now yet another corporation that cares more about the safety of its executives than those who work for them, and how it, Suiryu, and Garou are all foils to the heroic traits Saitama values and finds fun in, are good ideas. On top of that, the narrative genuinely gets interesting towards the last leg of the show. It’s just that everything gets tremendously bogged down by terrible presentation, hollow characterization (which we’ll get to), and a sense that vital moments are actively missing from otherwise solid character arcs and plotlines. Even worse, this season’s bloated, badly paced, and watered-down arc is all setup for a third season, so all of that arc fatigue meant nothing.

  Speaking of nothing, there’s the gigantic cast of characters for this season. The characters all feel stale, including Saitama, the most entertaining character from the first season. He’s no longer this disgruntled guy who wants some respect for the hard work he put into his fun superhero craft, nor is he someone constantly wishing to fight someone strong because he hates how he can just one-shot everyone. The first scene of episode 1 tries to pretend that he still deals with the former issue, but make it past that and you’ll see that’s not the case. As for the latter problem, it’s no longer this drive that’s been eating away at him due to how disappointed he is all the time. Instead, he just casually wants stronger opponents, so he enters a tournament of martial artists, where he meets a foil of his now watered-down need to fight strong opponents. They don’t justify any of this either, so it creates this disconnect between season 1 Saitama and season 2 Saitama. They try diving back into the issue in episode 9, but they should have further demonstrated how empty he was feeling beforehand, as this episode cements that he’s not just bored, he’s practically lost and depressed. It feels like prior to tackling this issue, they wanted to give Saitama a flat arc, where people grow around him. They didn’t do a good job, for reasons mentioned prior. Another reason this doesn’t work is that the rest of the characters are incredibly one-note and eager to monologue about their baggage at the drop of a hat. Several of these monologues are intrusive and redundant as well, so the sheer abundance of them becomes grating, especially early on when they’re at their most prevalent. You know it’s bad when the one-off heroes and villains have more personality and presence to them than important side characters like King and Fubuki. Secondary and tertiary characters were never one of season 1’s strengths, but this is just lousy!

  We do at least have a somewhat entertaining villain, that being Garou. However, when everything around him is so dull and when the action and presentation is as bad as it is, his intimidation and fun factor are somewhat diminished. Additionally, despite him actively going out of his way to kill both heroes and villains in his first scene and siding with the monsters who kill heroes and everyone else alike, he doesn’t kill anyone in subsequent fights. They don’t even try to justify this inconsistency. He does have some decent scenes and he does work as a warped foil of everything Saitama stands for, so despite the glaring inconsistency mentioned earlier, he’s still the best character in this show full of lifeless side characters for whatever that’s worth. On top of that, his arc to become stronger is probably the only compelling piece of writing in the show. He’s not the only foil for Saitama, as Suiryu from the god-awful tournament arc is like a more selfish, less dangerous version of him. His main difference is that he wants an easy life with his strength, and we actually see a decent arc come from him halfway into the series. The show gets to a point where I sometimes almost root for him and Garou because almost everyone else in this show is so unlikable. Practically everyone in this show is either a blank sheet or a total prick, sometimes both! Apart from a few side characters in episode 11, the only notable exception is Metal Bat, and that’s literally because of one scene at a sushi bar with like two funny jokes. Yes, they wanna show that heroes aren’t all morally sound because Garou has to have a point, but that doesn’t mean we need Saitama’s foils to be the only ones with any layered writing behind them. One last issue regarding characters is that even the world around them has none of the vibrancy and personality than in season 1. None of the one-offs are as funny or vivid as the disgruntled alien crew from the end of season 1. What a shame.

  Another positive aspect of the first season was the music. The OP was a thrill ride and the admittedly overplayed OST was filled with incredibly memorable tracks that accentuated the hype and emotionally satisfying feel the show aimed for. None of these return for this second season (barring that one time they remixed one of the OG season’s tracks in episode 5), and in their place lies a bunch of boring background tracks (save for one or two of them) and a mediocre opening that doesn’t even remotely capture any of the excitement or aggressiveness it shoots for. The visuals are somehow even more lifeless in the OP than in the show too, which almost never happens. The ED is also grating to listen to thanks to the vocals, and it’s even worse than season 1’s lackluster ED. The part that stings the most is that the composer for this season was Makoto Miyazaki, the same guy who did the last season’s music. What happened?

  Above all else, this show’s most controversial aspect is its visuals. By the standards of season one, the standards of the manga, the standards of both seasons of the franchise’s counterpart Mob Psycho 100, the standards of an action anime, and even anime in general, the visuals of One Punch Man Season 2 are terrible. There’s about as little animation as your current non-action seasonal or a long-running slideshow like Yugioh Duel Monsters, and almost no visual flair to compensate, with loads of panning shots, and badly edited quick cuts which make some of the fight scenes simultaneously as unstimulating as the rest of the show, and more incomprehensible than the most badly edited fight scenes from SAO and Fate/Apocrypha. Episode 7’s fights are the worst by far, with constant character model mishaps, extreme usage of bad, looping ghosting afterimages to simulate characters attacking rapidly, frame rate-killing camera movements, and CGI objects that also kill the frame rate. Even the best fights are barely above your average Fairy Tail GIF-fests, and your average fight in this show is just that but undetailed and incomplete. There are occasional, freakish drawing mishaps even outside of the fight scenes, such as the sequence where Saitama’s head is shaped like a lightbulb during a camera rotation in episode 1, or the entirety of Saitama’s conversation with King in episode 9. That alone is inexcusable, especially when this anime is 90% panning shots filled with stock assets as is! It’s even worse here where the artwork tends to be incredibly rough and badly drawn, especially with the characters’ faces and the close-up shots with inconsistent outlining, especially in episode 1. Practically every episode has a unique, outstandingly awful visual blunder to notice, and the few well-animated cuts in the show, primarily towards the final third of the series, can’t make up for that.

  The strange charcoal coloring of Genos’s metal frame doesn’t even feel like it fits with the rest of the drawing of the character, and not only is it inconsistent with his season 1 frame, it constantly changes from scene to scene in the first two episodes with no rhyme or reason. As of episode 3, it seems like they’ve settled on what he should look like again before changing it one more time in another repair late into the second half, but that should have been done in the character design phase, not after production of certain episodes has ended. You can’t use the excuse of him getting all those repairs and new parts since he did the same in season 1 while looking consistent. The show doesn’t justify this itself, so neither should you. Back to the issue of charcoal-esque metal feeling out of place on the characters they’re attached to, as it applies to another returning character, Speed-o’-Sound Sonic, and other pieces of metal like Metal Bat’s...bat. This raises another issue with the show as a whole: the coloring in this season feels off. This season has a darker and more off-putting color palette than before, and along with some of the colors they used, it makes the show generally awkward and strangely bleak to look at. Even if the show somehow was animated beautifully, the color palette alone makes this show aesthetically displeasing to me. It’s a shame considering how good the returning character designs are, since now they just look off, regardless of if they’re on-model or not. Still, along with the interiors and entire buildings comprised of terrible CG assets, all of these issues make it so there can almost never be a scene that genuinely feels great to look at. Even the incredibly few moments of fluid animation suffer from most of these issues.

  This isn’t even a question of failing to live up to the stellar animation quality and overall visuals of the first season; this is a case of visuals that are just plain bad. It doesn’t take an animation snob to look at this and go “wow this looks wrong” or “this feels off”. No one should be grateful that a studio forced a bunch of overworked, under-scheduled staff members --including a director with almost no prior directorial experience-- to make this show. It’s not a gift, it’s a product, and a badly produced one at that. The production is so bad that the proofreader for this review had an absolute ball with the visuals, often pointing out several awful aspects and moments even I didn’t even notice. Sure, it’s no Berserk 2016/17 or Hand Shakers franchise, but that doesn’t mean we should bend over backwards just because this is a continuation of a show most of us like. As much as it hurts to say, I’m glad that this hate train started simply because it shows that even despite the pushback against this movement, we can still put our foot down on what is and isn’t an acceptable product. It shouldn’t take 3 episodes for us to see a fight with acceptable animation quality or a single cool shot, nor should it take until episode 9 for them to even attempt any interesting techniques. It also shouldn’t need up to 5 animation directors working on an episode like with episodes 2 (or 15 in the case of episode 8). That just proves this show was poorly managed, badly scheduled, and doomed to fail.

  This really is the anime equivalent to Anthem and Mass Effect: Andromeda, isn’t it?

  The second season of One Punch Man is the end product of mismanagement and production issues emblematic of the dismal state of the industry. This show was practically destined to fail when given to a studio that’s been spreading their teams thin through 2-5+ projects a season and having well-documented scheduling issues for the past 3 years. I can’t imagine what the team must have gone through, trying their damndest to live up to the show’s monumental expectations with such little time, staffing, or resources. It’s crushing to think that when OPM 1 came out 3 years ago, people jumped on the hype train, and now with season 2, people are jumping on the hate train. Hell, as someone who only kind of liked season 1, that’s the main reason I watched this season. While the first season functioned as the fun blockbuster anime it wanted to be, this second season was unable to truly be what it wanted to be. Honestly, it’s more depressing than hateful, and it didn’t have to be this way. That’s the anime industry for you, where blood, sweat, and tears are soaked up by cash that get put into the next season’s 5 isekai shows. One Punch Man 2 is a casualty of the industry we’re encouraged to support, and the worst part is people are ok with this.

  Written and edited by: CodeBlazeFate
  Proofread by: Peregrine

  Continue on AniList
• 

  CyberSage999

  31/100
  You're probably better off just reading the manga

  We’ve all heard this before since it’s a tale as old as time: A sequel of a popular property isn’t nearly as good as the original. This is a phenomenon known as sequelitis. Sure, there is the possibility that the sequel made just doesn’t quite live up to the original work, but is still an ok experience overall, like Incredibles 2. However, OPM2 not only fails to build upon the source material, but it’s also a complete disaster as a standalone product. Hideous visuals, an underutilized cast, and unfunny jokes make watching this season about as fun as diarrhea, although there were some decent scenes and fights here and there.

  This entire season is littered with still frames, gross background colors, inconsistencies, poor editing, lack of weight in any of its fights, and a weird metallic shine on a few of its characters. The phrase “Look at how they massacred my poor boy” doesn’t even begin to describe the kind of hell that Genos went through in this season. There was this scene in Saitama’s apartment where Genos’s arms look like they’ve rusted almost as bad as my sister’s bike. Whenever they have him in a fight, he looks like a cheap bootleg toy from China. They also gave him this metallic shine to really drive home that he’s this super cool fighting robot, but he just looks gross when he’s fighting. Back in the first season, whenever a fight happens, you can really feel the impact of the punches that are thrown. Characters are launched several feet away, and whenever Saitama throws a punch, it causes the monster’s body to be torn to shreds. In this season, whenever someone is getting hit, they turn the entire background into a single solitary color like red, orange, or purple. This might’ve been done to emphasize the hits, but it just looks ugly and distracting. It’s typically used over stills after the punch has been thrown, and it gives the characters this horrible looking outline after the hit. It doesn’t emphasize on the hits, but it instead just cuts after the fact, so the action can’t stick with the audience at all. Also, when a character like Bang or Garou hits an enemy several times, they have these impact effects, but they’re so stilted that they don’t feel like it's moving at all. There are several general inconsistencies, like Saitama’s head looking like it got swollen from a brain tumor in episode 1, and Metal Bat’s dried up looking blood covering his face in one scene but then having only a little bit of blood coming out of his forehead in the next. There’s a lot more than I could go over here, but I think you get the point. Aside from not living up to the standards that the first season set, it fails to live up to any basic standards in the industry. There’s an animator named Kenichiro Aoki, who is responsible for some of the shots, and the animation he’s done are the best parts of the show. You might as well call it One Animator Man since he’s the one responsible for all of the few decent parts of the anime, such as the cockroach fight in episode 6, but all of the other shots look so rushed and poorly put together. This is what happens when you rush animation and try to get something out ASAP, as a studio such as JC Staff doesn’t care about quality, but quantity. In an industry that shits out as many anime as possible, this season is just another example of horribly produced manure.

  The comedy in this season is also unfunny except for a few scenes. A lot of this is because of the animation and horrible direction, but most of what the show tries to pass off as “jokes” are just not funny. As a friend of mine, SunlitSonata pointed out to me that something the first season was good at was contrast. It would go back and forth between crisp art, to a drawing ripped out of a manga, like the OK face. There was also the fight with Saitama and Genos, where it made it look like Saitama was about to punch Genos, but he just runs up to him and taps his shoulder. OPM2 tries to go for the same thing, like when Garou attacks Saitama. Saitama goes for the manga expression and knocks out Garou, but the presentation is too bland for it to stand out. When King is revealed to be a total coward, they do make a joke with Saitama’s deadpan reaction to seeing King play a visual novel, but it goes by too quickly to be funny. Another example would be when Fubuki tries to recruit Saitama into her group. When one of her lackeys tell Saitama that she’s Class B Rank 1, Saitama doesn’t care, and we get the groups reactions. The problem is that when we see their reactions, we get the gross looking solitary colored background I mentioned before and ugly shadows. I only found two jokes funny from this season, such as when Metal Bat’s younger sister knocks him out since that’s so unexpected. The best joke is when Saitama knocks out the blonde guy from the martial arts tournament. To add insult to injury, the announcer ends up embarrassing the blonde guy by revealing that his girlfriend didn’t even show up for the tournament despite the fact he planned on proposing to her. It’s such an overly cruel joke that I couldn’t stop laughing for a little while. Though that joke was saved for the post-credits scene, so I ended up missing it the first time I watched the episode. Sadly, for the most part, the presentation ruins almost all of the jokes, so it’s hard for me to care a lot of the time.

  Saitama and Genos practically act the same, as Saitama is still the super strong dense hero, and Genos is the extremely serious straight man. There’s no problem with that, but they aren’t utilized very well here. They’re both are completely glossed over to the point of no return, aside from a few notable scenes. Saitama’s lack of satisfaction with fighting opponents because of how ridiculously strong he is gets completely shafted until we get an admittingly good scene with Saitama and King talking about it, but that’s all you get with him. The show revolves around a monster invasion, as the number of monsters and their intensity gradually increases throughout its run, and one human claim to be one of the monsters. That person is Garou, and he’s the best part of the show. We all have villains we find to be more entertaining than the heroes, and Garou is the embodiment of that sentiment. He’s on an ongoing quest to defeat all the heroes from the hero association to prove that monsters are superior to humans. He’s an extremely arrogant and strong material arts master. Every time he’s on screen, it’s fun to watch with his entertaining lines, and enjoyable personality. He’s not all bad, as he seems to have a soft spot for children since he was even willing to kill a monster to defend Metal Bat’s younger sister. The presentation does ruin his appearances in the show somewhat, as his muscles look like trash bags mashed together, and one of his facial expressions had a Grinch looking simile. He’s still enjoyable overall regardless, but he’s probably a lot more fun to follow in the manga.

  The opening is done by JAM Project, who was also responsible for the opening of the first season. The animation for the opening might be terrible, but the song itself is pretty good. It has this real banger heavy rock part at the beginning, and the rest of the song is just fun to listen to. The ED for this season that was sung by Saitama’s voice actor, Makoto Furukawa, is just ok. Like the first season, it goes for a more melancholic song for ED, with a piano and slow singing. However, the song itself isn’t anything noteworthy and it’s nothing you haven’t heard from before. As for the OST, it’s quite good, as Makoto Miyazaki returns, and it does help liven up the most boring show with some nice rock tunes like Garou’s theme. It goes for this sort of intensity that helps liven up the otherwise stilted action scenes.

  I’m sure some might be asking why I even bothered to finish a show I hated so much and write a review about it. I didn’t find OPM2 to be so bad it’s good, like Inuyashiki, and I found it boring at least 90% of the time, so what made me finish it? This review aside, the main reason would be because I was curious to see how far this titan would fall. I wanted to see how bad the animation could get as the show could progress. Most episodes were horrible looking, with episode 7 being the worst one, but there were a few decent episodes like episode 3. You’re probably better off just reading the manga.

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• 

  SMSWTA

  60/100
  SMSWTA? Maybe Next Year. A review where I accidentally spend more time talking about why I think it is than how it is.

  One Punch Man was to many a surprise success. The type of anime that comes around every couple of years the breaks through into Western culture in a standalone way. It is the type of show you watch not knowing it is anime when the dub is played on Cartoon Network at night (AniList ranks it as the 4th most popular show of all time). Upon its completion, people were primed for a season two, and unlike a lot of popular shows, the second season was seemingly announced pretty quickly – albeit by a different studio – before being kicked down the road for four years.

  Let me cut to the chase, though: if you watched One Punch Man, you should watch its second season. There are just some expectations you need to manage on the way in.

  Many people decried the studio change (from MADHOUSE to JC Staff) when it was announced and are currently still frustrated at the end-product, but they acquitted themselves adequately enough. There are good moments and moments that look cheapened. If you’re expecting the same quality as the final episode of the first season, you’ll be disappointed, but the animation does not stand in the way of itself.

  The real frustration is systemic, however, and to get into, it we need to expand our lens. I know this is a detour, but if you want to get a handle on season two of One Punch Man, I think it is important to contextualize this.

  One Punch Man started as a webcomic by ONE (also of Mob Psycho 100 fame). Its art is… well rudimentary, I suppose. Mob Psycho 100 stayed fairly faithful to it, but One Punch Man had a foundationally different look except for when, for effect or for the fans, it would cut back to the ONE style.

  One Punch Man (the anime) doesn’t look like this though because, once One Punch Man got popular, it was redrawn(?), redone(?) into a manga by Yasuke Murata (of Eyeshield 21 fame). If you got to a Barnes and Noble and buy One Punch Man today, you are getting the Murata version, and frankly, that is a net positive. He is really good. Look up his live streams, truly amazing.

  The issues started when ONE slowed down his work on the web comic (taking two years off from the webcomic). He, as is common in the web to physical transition (similarly to WNs to LNs), was working with Murata to ensure the manga was a success and to make changes where he thought they were required and then working with Madhouse on the anime and finishing Mob Psycho 100 and then ostensibly working with JC Staff on season two.

  This (and this is a bit of speculation) had a ripple effect into the manga where the arc covered by the second season is still ongoing (it is completed in the webcomic), but I believe it is dragging on longer than it narratively made sense to – definitely longer than it did in the web comic. This is speculation, but it seems like everything is bottlenecked at the Monster Association Arc in part because the anime is taking its cues from the manga – not the webcomic.

  This takes us back to the anime. The season is split between two main plots: the Garo/Hero Hunter Plot and the Monster Association Plot with a C-Story that is largely peripheral. Without getting into spoilers, since the MA Plot is still unresolved in the manga, it seems like JC Staff decided to find a spot in the middle of it to end the season and space itself accordingly. As a result, nothing (except for the C-story, I guess) is really resolved. There is no climax like there was in season one (maybe because season one didn’t know there would be a season two while season two knows there will be a season three).

  As someone who is ahead of the show and the manga, it sucks because this season could have been an amazing two-cour because where it stops makes sense, but the wait doesn’t. It could have been another season one. However, for what looks like practical business reason, it is largely a set-up to be paid off later. That doesn’t make it not worth watching. It doesn’t make the series worth abandoning, but I do think that you may be better served waiting until season three comes out to have a complete narrative arc instead of this appetizer.

  It’s hard to decide how all this should affect one’s viewing of the second season. An easy solution would be for the anime to go off the webcomic to fill in the holes, but that would hurt the manga sales. Anime is never supposed to supersede the manga. An axiom serious enough that Piccolo went to driving school to ensure it.

  Is it Murata’s fault? No, he’s seemingly doing his best with the storyboards he gets from ONE. (It's hard to slack off when you literally livestream yourself doing work.)

  ONE’s? It’s not like he’s not working. He has a lot of plates in the air, so probably not.

  JC Staffs? Maybe.

  It has been four years since the first season. I feel like someone, somewhere was starting to sweat. Was One Punch Man losing its pop culture influence? Can we afford to wait for a season two for another six months? A lack of confidence led to this. At whose feet, I really can’t say.

  Ultimately, though, that takes us to the question: should my sister watch this anime?

  Yes, but maybe not now. I think One Punch Man Season 2 will be best watched when season 3 is out. I don’t believe there is a release date yet, but I’d recommend you give it the rest of the year for something. If there is an announcement, hold off. If not, watch it and supplement the manga to get some sort of pay off.

  60/100

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