UMINEKO NO NAKU KORO NI EPISODE 2: TURN OF THE GOLDEN WITCH
STATUS
COMPLETE
VOLUMES
5
RELEASE
December 22, 2010
CHAPTERS
28
DESCRIPTION
With help from the witch Beatrice, Shannon has enjoyed a budding romance with George Ushiromiya, her master’s eldest grandson. As a servant of the Ushiromiya estate, Shannon is little more than furniture, but since her bargain with Beatrice, Shannon has never felt happier…or more human. Her brother and fellow servant, Kanon, is troubled by his sister’s reliance on the witch to reach beyond her lowly status. But when love begins to flutter in Kanon’s heart, will he be tempted to abandon his station and take the witch’s hand as well?
(Source: Yen Press)
CAST
Beatrice
Battler Ushiromiya
Maria Ushiromiya
Shannon
Rosa Ushiromiya
Kanon
Jessica Ushiromiya
George Ushiromiya
Frederica Bernkastel
Lambdadelta
Eva Ushiromiya
Natsuhi Ushiromiya
Kinzou Ushiromiya
Kyrie Ushiromiya
Rudolf Ushiromiya
Krauss Ushiromiya
Toshiro Gouda
Genji Ronoue
Asmodeus
Beelzebub
Satan
Hideyoshi Ushiromiya
Chiyo Kumasawa
Terumasa Nanjou
Yagi no Juusha
CHAPTERS
RELATED TO UMINEKO NO NAKU KORO NI EPISODE 2: TURN OF THE GOLDEN WITCH
REVIEWS
Krankastel
70/100Part II: when the witch intends to make you surrender all at once.Continue on AniList“The witch expects a lot from you, and is more than ready to launch an assault right from the start. I also look forward to seeing your strategy.”
Those lines belong to the visual novel and correspond to the option of playing Turn of the Golden Witch. Why mention them? Because they summarize well what is being introduced to Umineko’s formula.
Note: nothing here can be considered a spoiler.
__[1. Let's elaborate with an introduction.]__ After Legend of the Golden Witch introduced the whodunit mystery element of the narrative, the readers were also barely initiated to two other elements as well:
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The fantasy element is connected to the Endless Witch Beatrice herself coming to the spotlight. Unlike her previous ambiguous presence, she confronts Battler flesh-and-bone (or is it) in the “tea party” and poses him an intellectual challenge. And Battler agrees, his goal being to disprove the existence of magic, whereas Beatrice intends to make him accept witchcraft as behind everything. For more, see section [2.b].
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As for the metafictional one: this conflict between Battler and Beatrice takes place to a parallel plane of existence, from which both can observe the events of 4 October 1986 on Rokkenjima, where the serial murders repeat on different circumstances. As such, the island whodunit acts as an embedded story to the one of the parallel plane. I cannot tell more, for some things are best experienced or in our case, deduced.
Episode 2 builds upon those foundations, essential in order for the overarching narrative to function as ultimately intended.
__[2. And on the story...]__ [2.a] Τhe narrative begins with an extended flashback, before the events of 4th of October and focuses on a romantic subplot, that builds on certain characters' personalities and joint chemistries, and sets a solid foundation for later parts.
And gradually, this subplot transits to the 4th of October, involving preparations for the family’s annual meeting at both meta and island level. Retracing to my Episode 1 review, I had mentioned how mothers assume main roles in parts of this story. For the current episode, the torch passes to Ushiromiya Rosa, a little more on section [3].
[2.b] And on to Rokkenjima events, where the highlight is the intrusion of fantasy elements that complicate matters and raise the difficulty bar of the mystery.
Retracing to section [1.], Battler must deny the existence of magic while Beatrice aims to making him accepting it. To do so, he needs to debate with her and solve individual mysteries, be it locked rooms, bizarre circumstances, etc. Yet she wastes no time or energy in crushing his reasoning, making resistance seem futile. Those parts are entertaining, to say the least, as well as an exciting mental challenge for the reader/player.
Often employed by both opponents is twisted logic, however: as abusing it could lead to stalemates and to an unfair treatment of both Battler and the readers, Beatrice introduces a tool named the Red Truth. When a surefire truth is to be spoken, it is said in red letters. Of course, Beatrice uses that tool in crafty ways, yet nonetheless readers/players can more easily challenge the witch and solve the puzzles.
__[3. Continuing with characters...]__ As mentioned in section [2.a], certain characters receive more focus and as such, more needed development. The romantic pairings in particular show elements of potentially star-crossed lovers, their relationships complicated by both intrapersonal and interpersonal factors, as well as the involvement of Beatrice. Ushiromiya Rosa is also among the main cast, her complicated relationship with her atypical daughter and occult savant Maria as well as her own personality being equally important to the narrative’s progression.
Needless to say perhaps, the star of the cast is Beatrice. Cruel, whimsical, playful, majestic are only some of the words one can use to describe her. She’s one stellar antagonist, with a larger-than-life presence and highly entertaining dialogues. And this episode is not even the tip of the iceberg for her highly dynamic and multilayered character. As for Battler, he does not falter way too behind. He remains determined and passionate yet also rational and quick-witted, and despite being at a severe disadvantage he is trying to use his reasoning to plow his way through Beatrice’s trolling and games and pin her down, alongside invested readers/players who vouch for his victory. And given the odds, he certainly can stand his ground.
I’m obliged to be fair though, and note that not all characters receive development and those who do don’t display too much depth, at this stage the narrative focuses elsewhere. However, there are still interesting and entertaining moments involving even less developped ones, and next episodes are going to uncover more layers of characters.
__[4. And closing with artwork...]__ I prefer the current artwork to that of Episode 1. Character designs are more polished and there is a bigger ratio of highly memorable scenes (the one below is among my favorites). Expressions remain one of the highlights, especially mocking but also some fiendish ones.
And of course, lovely horror scenes. Hey did I mention that this episode fits like a glove with Halloween doubly than the previous one? Won't be hard to find out why. Outside those aspects, the mere presence of Red Truth elevates the artwork, for sentences spoken/written are highlighted in bright red text.
One of the drawbacks of artwork are backgrounds though, as many often lack enough detail, being merely functional rather than rich enough. Also, sometimes characters at long distances can miss key details here and then. Nonetheless, the artist more than makes up with portraying poignant scenes with exactly what is required at a given time.
Hope you enjoyed my review! -
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SCORE
- (3.7/5)
MORE INFO
Ended inDecember 22, 2010
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